Screen Printing

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Interview: Cheeri Wang

Published July 7, 2011 by subcultureshanghai

Cheeri & Idle Beats



This month’s Sub-Culture poster was designed by Shanghai’s own Cheeri Wang. Cheeri has been involved in the Shanghai music scene for a good few years now, making posters for the likes of ROM, PAUSE, Freakaholic and POP, as well as more recently working together with IdleBeats. We caught up with one of our favourite Shanghai artist’s to get to know a bit more about her work, influences and future plans.


PAUSE:PLAY poster by Cheeri Wang


Sub-Culture: Ok, so first of all please can you introduce yourself and tell us a bit about what you are doing these days?

Cheeri: Ok, I’m Cheeri Wang, I’m Shanghainese…. I live in Shanghai with friends…..hahahha, this is quite difficult for me to introduce myself. Ok, before I met Nini and Gregor I’d already been thinking I want to start screen-printing but I didn’t know anyone doing it or anywhere I could learn. After I met them I was really excited that I’d found the right people to work with. I think me and Nini both want to make the Idle Beats group bigger, get more people to work with us, and make the group more powerful. Also, now in China not too many people know what screen-printing is, or even art really. If they want to buy art they just want to buy the most expensive pieces or famous foreign artists. Also now some Chinese artists work is not that good but they are becoming popular. I want to let people know about different kinds of art. Now they only know about oil painting or more traditional styles, they don’t know anything about screen-printing, graffiti, etc. Art is a culture, a bit like hiphop, so I want to try and get people into the culture and hopefully they can enjoy it.

Sub-Culture: So when did you first start as an artist?

Cheeri. Haha err a long time ago. Maybe 4 years ago I started when me and my Japanese friend had a party called Freakaholic. That was the first time I designed a poster for an event.


Untitled Ink Painting by Cheeri Wang


Sub-Culture: But you were an artists before that yeah? You studied art at university?

Cheeri: Yeah yeah, I studied art in college maybe 6 years ago.

Sub-Culture: What was it you were studying? Can you tell us a bit about that?

Cheeri:  I was studying Chinese traditional art. Actually I was not too good at it, haha. I really like it, but Chinese traditional art is very different to any other style and it has a long history. There are a lot of different styles, for example only using ink and water, or using paint made out of stones and a type of Chinese glue. The styles are very delicate and quite difficult. I also learnt Chinese sculpting and carving, making stamps and stuff. I learnt a lot of different styles. The thing is, Chinese style art has not really developed, its still very traditional both in style and technique and also the way of thinking so I think its quite hard for young people to get into it and enjoy it, but some of the thinking behind the art I find very interesting, so I want to use some of the theories behind the old style of Chinese art and mix it with new techniques such as screen-printing. I think that’s the future, haha

Sub-Culture: So do you still practice the traditional styles now?

Cheeri: Mmmm sometimes but not really, haha. I really should do, but it takes a lot of practice and you should do it everyday. If you don’t do it for a couple of months its very difficult to get back into it and its like you have to start over again.

 Freakaholic poster by Cheeri Wang


Sub-Culture: In the past few years you’ve designed a lot of  posters for events such as Freakaholic, Pause, POP and now Sub-Culture. When someone asks you to make a poster, how do you start? Where do you take the inspiration for the image? Is it the type of music? The guest DJ?

Cheeri: Ok, so for example with the Freakaholic parties, most of the DJs they played hiphop, so I would think about the style and collected a lot of old school style posters from the 70’s, 80’s and 90’s on my computer to use as inspiration. But I never copy a style or an image, I never want to do that, too many Chinese people do that, hahaha. So Id find an image I like but then mix it with my style, my personality. As an artist you need to let people know your personality.

With PAUSE, those guys said I could do anything I wanted as long as the logo was in there somewhere. That way I  really like as I can put more of my ideas and style into the poster.

Also, with POP that was also different. Cavia would give me the idea as he wanted to use current affairs or events which had recently happened in China. Sometimes he would give me a picture and say that I can use my own ideas and style but to use the image or topic somehow and let people know what the topic is. This is also a very interesting way to do it but sometimes he would give me a picture that was very ugly so it was quite difficult to keep the theme but also make a nice, good looking poster.

POP poster by Cheeri Wang


Sub-Culture: Yeah I remember one of the posters was a car or truck running over the DJ’s playing that night. What was the original image he gave you there?

Cheeri: Ah the second one? Hahaha you don’t know right? Ok a few months ago there was an incident in a small town in China. There was a guy who was working for the government and he would always try to help the normal people. You know there is a lot of corruption these days in the government but he was really against it and would try to stop it, but finally he was killed. Some people say that it was the police or government that killed him but then afterwards they put his body in the middle of the road so he would get run over by a car and they said it was an accident. There was a picture on the internet which became quite famous of the guys body that had been crushed by a truck, with his head “squelch” haha. It was quite disgusting. But for me I can’t just draw like that so I had to change it, but the problem is once I change it then people like you don’t know what the original picture was.


 Sub-Culture VS ROM poster by Cheeri Wang


Sub-Culture: Ok, so can you explain a bit about the Sub-Culture poster. What was the idea? Where did it come from?

Cheeri: Yeah this time is quite special as its Sub-Culture VS Rom. Before I also made 2 posters for ROM so I already know what they want, what style, kind of futuristic and powerful. Originally this image I drew maybe 3 months ago. One day I just had the idea so I did a rough sketch and then Kin saw it and said I should definitely make this into a poster one day as it’s a really cool image. I thought he was right so I used this image but worked on it more to make it cleaner and perfect. Also, as it was for Sub-Culture I was also thinking about the screenprinting as they screenprint the posters every month. Before a lot of my work was in black and white, maybe with just one other colour, which I really like but this time I wanted to start to try and use more colours.

Sub-Culture: And you’ve been making the screen-prints of the poster this week?

Cheeri: Yeah. For me its still quite a slow process. Up to know I have only produced maybe 4 screen-prints by myself and actually its quite difficult. Nini has done a few events showing people how to screenprint but what she showed people is actually the easiest part of screenprinting. Before the actual printing stage there are a lot of things to prepare and each step is very important. If you make a small mistake or problem it will cause a much bigger problem later on in the printing process and the final result will be really bad so each step you should take very seriously and be careful. For me I still don’t have a lot of experience so each step I always have some problems so I always have to work out how to solve it. Actually Nini is a very good teacher, she lets me make mistakes and I have to work out the problem by myself. If I ask her she will help me and tell me what to do, but I think its good I learn by my mistakes.


Cheeri printing the poster


Sub-Culture: So which other Chinese artists do you like?

Cheeri: Actually, I don’t really know many of the ‘high level’ artists in China. I like to follow the artists that are around me. I like a Japanese guy who lives in Shanghai called KSK. He does some really good graffiti. I saw some work he did in a friends shop and other places, its really good. He doesn’t really want to be an ‘artist’, its just art is kind of part of his life and if he has an idea he does it. I like this style actually. Also I really like XiaoLongHua, I really like his style. He doesn’t only make one style of art. Sometimes he makes comics, sometimes graphics. I heard recently he’s working on some wood sculptures. I’d really like to try that one day.


ROM poster by Cheeri Wang


Sub-Culture: Also, I’ve heard your working on a comic book for ROM to go along side icenine’s album. Can you tell us a bit about that project.

Cheeri: Yeah. The comic book is set in the future, but not too far in the future, maybe 20 years or something, so you can feel that its maybe a possibility. I like this idea. There are many artists involved, like XiaoLongHua, who I think is getting quite famous now haha. There is also an ABC girl who isn’t really an artist but she likes to draw. I’ve seen some of her drawings and they are really nice and if she keeps on doing it will be cool later. Some of the artists will make just one image for the comic, but I want to make a short story. I’ve already started it now and I’m really enjoying it. Comics take a long time to make as each scene you really have to think about. There are many different styles of comics and ways to do it, but the artists I like they are able to make each scene or picture in the comic a work of art by itself, like you could take any picture from the comic and frame it separately and it would be a piece of art and not just a sketch or a part of a story. I really like this style. Each story is always very short but very interesting and the artistic skills are very good so it makes it very powerful. I think after this comic I want to make an exhibition of black and white pieces, maybe with 3 short stories made up from a few different pictures. I will also make screen-print posters for it.



***Cheeri’s Sub-Culture screenprint, as well as all past Sub-Culture posters and more great screenprinted art, will be available to buy at Sub-Culture VS ROM this Saturday @ Shelter. Cheeri will also be down helping with the Idle Beats stall so come and say hi, buy a poster and get it signed!! If any of you would like to get in touch with Cheeri for design work you can drop us an email at and we’ll put you in touch! See you Saturday***


The Making of ‘The Baby Snatchers’

Published February 28, 2011 by subcultureshanghai

The Twoqee Twins – Twoqee Guo and Twoqee Song


As most of you will know by now, each month Sub-Culture collaborates with Shanghai based printers ‘Idle Beats‘ to produce a limited run of screen printed posters, each month inviting a different artist to do the design. This month’s poster, which we have entitled ‘The Baby Snatchers’ was design by Twoqee from Beijing. Yesterday we went to the Idle Beats studio to meet up with Twoqee to ask him a few questions about the design and to see how the poster was made.


Cult Youth comic – ‘Zombie Pie’ by Chairman Ca


Twoqee Guo, from Beijing, is a comic illustrator and creative designer behind the “The Thing” clothing brand, and is also part of the infamous ‘Cult Youth’ comic artist collective (check out this great little video about Cult Youth here). XiaoLongHua (the artist who designed December’s Sub-Culture poster, and who is also a member of ‘Cult Youth’) explains that Cult Youth is a collective of comic illustrators based in Beijing who put out underground comic books, either collectively or individually. The latest ‘Cult Youth’ comic, Zombie Pie by Chairman Ca, was released last December and is available to buy here , but, as XiaoLongHua explained, they only produce around 1500 of each comic, and all the earlier releases are sold out, so id act quickly if you want to pick one up.


‘The Baby Snatchers’ by Twoqee Guo


When asked about his ideas behind the poster, Guo told us that when thinking about the design he heard a news story about the worryingly increasing number of children being kidnapped and sold in China, and so this is the main inspiration for the image (hence the creepy looking men sneaking around, and the guy walking away with a pram).  ‘The design took 3 weeks to develop and then 3 days to draw’ says Guo, who is very happy with its final outcome.

So now the design itself is done, the next step is to screen print it. Screen printing actually originated in China during the Song Dynasty (970 – 1279 AD), was introduced in the West during the 18th Century, and only really became popular due to Andy Warhol’s use of it in the 1960’s (thanks Wikipedia). I have been a collector of screen prints for a few years now, but have never really known about the whole process and so it was a pleasure and very interesting to see Twoqee and the Idle Beats crew at work.


Exposing the screen


First off, each colour of the image has to be separated and a screen has to be made for each layer (this design is 3 colours, so 3 layers). Each layer is first printed in black onto tracing paper, and then after the silk screen has been coated in light-sensitive emulsion, the tracing paper is placed underneath the screen in a large exposure machine and is exposed to light for roughly 80 seconds. The reason for this is that the light only shines through the parts of the tracing paper where there is no print, and then the emulsion on the silk screen which is exposed to the light becomes water proof. After the exposure, the remaining non-waterproof emulsion is washed off to leave a kind of stencil of that layer of colour. This is done for each layer, and so we are left with 3 screens.


Aligning the screen


Next is the printing. The first step is to print the main background colour (in this case, the kind of pink colour). The paper is laid down underneath the screen (which is attached to some kind of movable vice to keep it in the same position) and the screen is lowered on top of it. Ink is then poured on to one end of the screen and using a squeegee (a rubber blade) the ink is, quite quickly, drawn across the screen. The ink only goes through the screen where the emulsion was washed off, and so it creates a perfect copy of that layer of colour. Once the ink is dry, this is then repeated for each layer of colour. The tricky thing here is to get each screen exactly aligned before printing, and, as Gregor Koerting from Idle Beats explained, sometimes this can take hours to get it exactly right.


Pulling the ink across the screen


It was a really good experience to see how these posters were made, and it made me realise and appreciate the time and effort which goes in to each print. I didn’t arrive at the studio until around 5pm (due to a late night djing with Heatwolves, which was a lot of fun by the way) but these guys had been there since first thing in the morning, and when I left around 8pm they were still hard at it! As always, these posters, as well as past Sub-Culture posters, will be available to buy on Saturday night at Sub-Culture @ The Shelter, and also direct from Idle Beats. Idle Beats also run weekly screenprinting workshops, so if you fancy the idea of giving it a go yourself you can contact them here.


The finished print


Big up to Idle Beats, Twoqee and all the other artists that have been involved in the Sub-Culture posters so far! Next months poster will be designed by Tony Burhouse, check out his blog here.



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